IV.2.1 DIRECT CONNECTIONS IN 6/8 – VI
enero 12, 2018 3:24 pm Leave your thoughtsIV.2.1 DIRECT CONNECTIONS IN 6/8 In this third exercise, we will see the direct connection that can be made in... Ver artículo
IV.2.1 DIRECT CONNECTIONS IN 6/8 In this third exercise, we will see the direct connection that can be made in... Ver artículo
IV.3. LINKS AND CONNECTIONS OF MERENGUE Next we will work the correct links to merge in the same accompaniment the... Ver artículo
IV.4. LINKS AND DIRECT CONNECTIONS OF THE NEW WAVE After you have correctly studied the four forms of interpretation of... Ver artículo
III.1.2. LLANERO PASSAGGIO OR FLAT LANDS PASSAGGIO The Llanero Passaggio is a chanted genre that is interpreted in the Venezuelan plains... Ver artículo
III.1.3. JOROPO LLANERO OR FLAT LANDS JOROPO The Joropo Llanero is a cultural display that encourages the celebration and festivals in... Ver artículo
III.1.4 EASTERN ORIENTAL The Eastern Joropo is interpreted in the northeastern part of Venezuela, in the states of Sucre, Nueva Esparta,... Ver artículo
I.1. BASIC PRINCIPLE TO KNOW THE MARACAS The basic principle to know the Venezuelan maracas is to be clear about the... Ver artículo
MOVEMENT #1 This first movement has a curved-vertical (convex) trajectory obtaining ascending and descending hits (up and down), starting from the... Ver artículo
MOVEMENT #2 This second movement (popularly called escobilla’o o cepilla’o) has a vertical path that covers the entire space of the... Ver artículo
I.2.3. MOVEMENT #3 This third movement is a continuous escobilla’o or cepilla’o. Its trajectory is circular outwards, positioned in the upper... Ver artículo