IV.1. LINKS IN 3/4 – XII
diciembre 16, 2017 11:02 pm Leave your thoughtsIV. Links and direct connections of basic rhythms to variations of ornaments A rhythmic conversation must flow in the clearest and most... Ver artículo
IV. Links and direct connections of basic rhythms to variations of ornaments A rhythmic conversation must flow in the clearest and most... Ver artículo
IV.1.1. DIRECT CONNECTIONS IN 3/4 In this third exercise, we will learn the direct connections that can be made without having... Ver artículo
II.11. Combination #3-1 We will keep our right hand constantly with M#3 ( o ) doing the following rhythm in 3/4... Ver artículo
II.16. Combination #4-1 We will keep our right hand steadily with M#4 ( x ) doing the following rhythm in 3/4... Ver artículo
II.21. Combination #5-1 We will keep our right hand steadily with M#5 doing the following rhythm in 3/4 time signature: quarter... Ver artículo
III.1. Traditional Venezuelan Rhythms in 3/4 In this chapter we will see the different accompaniments of the traditional Venezuelan genres in... Ver artículo
III.1.2. LLANERO PASSAGGIO OR FLAT LANDS PASSAGGIO The Llanero Passaggio is a chanted genre that is interpreted in the Venezuelan plains... Ver artículo
III.1.3. JOROPO LLANERO OR FLAT LANDS JOROPO The Joropo Llanero is a cultural display that encourages the celebration and festivals in... Ver artículo
III.1.4 EASTERN ORIENTAL The Eastern Joropo is interpreted in the northeastern part of Venezuela, in the states of Sucre, Nueva Esparta,... Ver artículo
MOVEMENT #2 This second movement (popularly called escobilla’o o cepilla’o) has a vertical path that covers the entire space of the... Ver artículo